Showing posts with label teach. Show all posts
Showing posts with label teach. Show all posts

Sunday, July 26, 2015

Solfege: Part 3: Learn the Solfege Hand Shapes

By now you've read the History and invention of solfege as a language of music.  And you've discovered our top seven reasons Solfege works for teaching.  In this Part 3 of our Solfege series, we give you a few tips for learning these hand signs and finding meaning in them!

Help Your Child Learn Solfege
At first encounter, these 7 syllables are nothing more than abstract sounds and hand shapes to be memorized.  Let's Play Music teachers have come up with some handy mnemonics to help your child remember it all, but the good news is that as your child uses this language and internalizes the function, the syllables and handshapes will become meaningful on their own!

Be sure to always use the hand shape with the syllable and the pitch, and with a bit of regular use these will all get neurally linked together and become a fantastic musical tool in your child's toolkit.

Help Me Remember
Below are playful talking points you can use with your child to give the hand shapes additional meaning at first introduction, by relating them to concrete (and silly) ideas kids can make sense of.  After only a few weeks or months, your child will begin to conceptualize each syllable as it's own, real concept, and have no trouble remembering the hand shape.

Each hand shape also has a playful high-five you can give to your child in solfege-style; this gives you yet another great way to say "well done!", practice usage, and keep the mood playful.


DO (the STRONG or FIRM tone, "HOME"): "It looks like your hands are holding onto a rolling pin!  Are you rolling out some DOugh?  Is it pizza dough or maybe cookie dough? Let's pretend to take a bite and taste it!  Yum!"
DO five"Gimme a DO-bump! (or DO-bomb)" Tap knuckles with your child, then open up your hands like they exploded. Make explosion sounds and facial expressions for effect.



RE (the ROUSING or HOPEFUL tone, it easily slides down into DO)"This pointy RE is the tip of my ray-gun!  Watch out or it will zap you."  Use your RE hands to vibrate and zap your child right in the armpit while making a bzzzzt! ray-gun sound. 
Or "It's REining on your head!" Make a RE handshape and set it on your child's head, then slide your hands down her shoulders and wiggle your fingers for a rainy effect.
RE five: "Let's make an X-ray!"  Tip your RE hands forward to touch her RE hands, so it looks like an X and say "X", then tip them upright and say "RE!"




MI (the STEADY or CALM tone)"Who puts their arms flat on the table like this?  ME, of course!"
MI five: Sing on mi pitch as you sing "Give ME a hug!" Hold your hands in MI position, then pull the fingertips apart so you can reach around the child for a hug.




FA (the DESOLATE tone):  Draw a smiley face on your thumbprints and hold them up. Pretend they are walking toward each other.  "Mr. Thumb and his brother went walking along and I told them, 'Be careful or you'll FAAAAAAll down and land on your heads."  Have Mr. Thumbs turn upside down to become FA. This helps students remember to point thumbs down.
FA five: "I have a FA-lower for you!" Either you or your child should make a flower pot by holding a hand in O-shape. Then insert your FA thumb down into the flowerpot, then open the rest of your fingers to make the FA-lower bloom.


SOL (the GRAND or BRIGHT tone): "I ate SOL much DO that now I am SOL full!" Place your SOL hands on your belly to show you're full, or stretch them out with the sol handshape to show how now your belly is "SOL big!".
SOL five:  Most students are already familiar with high fives and low fives, so practice those first.  "Gimme a high-five and a SOL- five, because we don't need a low-five!" Tap the back of your SOL to your child's and vocalize a smacking sound for effect.


LA (the SAD or WEEPING tone): "Now my hands feel so bLAh! My fingers are too bLAh to do anything more than LA."  Emphasize how relaxed and droopy the fingers are as they just hang there. Make a blah face for dramatic effect.
LA five: "Show me your cLAw!" Reach your right LA hand to your child's right LA hand while saying "rowr!" or "meaow!" like a cat or monster with claws, then repeat with the left.  Your child will also laugh if you say "Gimme a LA shake!" and when they hold out their LA hand, you shake it (much like a dead-fish handshake) with a feigned look of repulsion on your face.


TI (the PIERCING or SENSITIVE tone, easily pulls up into DO): "This handsign almost looks like a letter of the alphabet..." Tip your TI fingers to make a letter T and look surprised.  Let your child discover that it looks like 'T'.
TI five: "Make a TI-riangle and I'll give you a tap!" Pretend the child's TI hand shape is a triangle (musical instrument).  Use the triangle mallet or your finger to tap it and vocalize a chiming noise as if you have hit a triangle.  Show the children a triangle to be sure they know what one is!

I hope you have fun playfully helping your child learn these hand shapes.  Just as neurons for the sound, the hand shape, and the syllable are strengthened together during learning,  it will make a big difference if the neurons for happy feelings and having fun are active during your child's learning!

Don't miss the other posts in the series:
SOLFEGE: Part 2: 7 Reasons We Love Solfeg for Teaching Music

SOFEGE: Part 1: When You Know the Notes to Sing...

-Gina Weibel, M.S.
Let's Play Music Teacher

Monday, November 3, 2014

Katie Wilson: From Hating Lessons to Loving Music

Katie Wilson, M.S.

This week, I had the pleasure to get to know Let's Play Music and Sound Beginnings teacher, Katie Wilson.  Katie has been teaching in Midlothian, Virginia since 2012 and currently has 6 classes each week as well as several private piano students.

In addition to Let's Play Music teaching, Katie is the founder and co-director of the Young Midlothian Singers (a community children's choir for ages 7-13), founded in 2011.  She has also performed in adult choirs in both Washington DC and Richmond. 

Hated Lessons!?

Although Katie has been involved in music and performing for most of her life,  it wasn't always as joyful for her as it is today.  Katie says, "I took piano lessons as a child and hated almost every minute of it!  I loved when I could play songs that I chose and when I had a teacher who let me improvise and have fun." Too bad that was not the norm.

In retrospect, she wishes there had been Let's Play Music classes to nurture her when she was a child, encourage her composing and improvisation, and focus on learning to love the music she could create.  As an adult, she eventually returned to playing piano and composing and says, "I wish I had taken lessons longer and practiced more as a child."  

Most Important: Learn to Love It

Not surprisingly, Katie's dream for her students it to learn to LOVE music "whether they stick with piano or not."  She says, "My Let's Play Music classes give them the tools for understanding music and the confidence to pursue any musical avenue that appeals to them. I want music to be a part of their lives and their children's lives for generations to come!"  Katie has discovered that by teaching a love and understanding of music, not just the technical performance of it, her students get what she never quite achieved in her early lessons.

How Different Could It Be?

Midlothian is quite isolated from other Let's Play Music studios.  How did it make it's way into that area?  Katie explained that her best friend and mother of 4 Let's Play Music students gushed about how AMAZING the curriculum was and insisted that Katie should start teaching in her area.  "I was like, 'sure, yeah right, how different could it be from everything else out there?'"  As her friends children continued through the program, year-by-year, she continued to remind Katie that she NEEDED to become a teacher.

"I would say, 'yes, it sounds great' and then ignore her.  After years of nagging, I finally watched the demo video (watch here) on the website and was immediately hooked."

Katie has a Master's degree in developmental/ child psychology and learning theory.  She could see from the start how Let's Play Music was theoretically sound, with lessons building on each other and material presented in an age-appropriate way.  "On top of it all, it is SO FUN! I get to be crazy and silly and still teach sound foundational music theory. What could be better?"  She had finally found the program she'd wished for as a child, and applied that very week.

Teaching the Sneaky Way

Now Katie says the thing she loves most about teaching is being SNEAKY.  "I love that the students learn fun songs and don't realize how much theory is jam-packed into them. I also like to see the surprised look on parents' faces, especially very musical parents, when they see how cleverly we introduce tricky concepts."  Her clients were delighted when she used the feather and bulls-eye to demonstrate changing the rhythm of quarter notes to dotted-quarter and eighth notes, in a memorable, fun, and precise way.

When she's not teaching, Katie's four children are her greatest passion.  She homeschooled three of them up until high school, and still has a 5th grader at home.  She has successfully nurtured a love of music, theater, and performing in all of them, and says, "I spend a LOT of time in the car driving to and from rehearsals and shows. Keeping up with schedules is tricky as a single mom, but I love seeing them do things they are passionate about."

I had a great time getting to know Katie and hope you'll check out her classes if you happen to be in Virginia!

-Gina Weibel, M.S.

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